« Thread started on: Nov 7th, 2004, 10:33pm »
And now about totally freaking collaboration...His name is Guliyev Vitaliy. He has no musical education and more when that he never even start to play music(as far as i know). But he was a big fan off industrial and underground music and he has one of the most biggest musical collection of that type(he was the first one who`ve gave me Instursende NueBauten 1/2 men movie and also he gave NIN Woodstock live and much more freaky cassettes and videos from groups like PItchShifter, KFDM, Coptic rain, Pixes...) . So he came to me when i were working on Slivki#10 and i`ve took a new keyboard on studio for that purpose.It was psr 600 with opportunity of digital track onboard recordings ..I`ve already use during Slivki#9 recordings. And at this time i decide that i`ll create a tracks by using a recording system of that keyboard and when rerecord it on a digital tape. He ask me to show how does it happening and I`ve show him how it`s done.I`ve ipload a drums, bass some other arraignment manually(by playing on that keyboard in a real time) and when he decide that he can update that mix with strings background and he did it. I`ve made a temp record and he ask me to make a copy for him. I did it and after he left i erase his experimental track and update my own. After rerecording i`ve also update 2 new tracks for that compo by using acoustical and electric guitars. When i`ve show him a results he told me that it sucks `cause he don`t like a guitars. Well i think he was simple offended , because i`ve remove his track. I`ve call that compo "Belated start" and upload it on Slivki#10 album and almost forgot about our experiments with Vitaliy.However when i`ve start work under Slivki#13 as an album which is consists of remixes and remakes, i`ve ask him to gave his copy of that compo and after re-mastering and sound-sculpting i`ve call it "Really belated starting" and upload as a pre-final compo for Slivki#13.